NADA New York 2026

The Starrett-Lehigh Building, 601 West 26th Street

May 13 - 17,2026

Artists

Ryoko Furukawa
Yuka Nishihisamatsu

Eunoia is delighted to announce our participation in NADA New York 2026.

We will be presenting Ryoko Furukawa’s newest pairings alongside the Yuka Nishihisamatsu’s ceramic sculptures created during the residency.

Email or DM if you liked to be added to the list for the preview.

NADA New York
May13–17

VIP Preview
Wednesday, May 13, 10am–4pm
Public days
Wednesday, May 13, 4–7pm
Thursday, May 14, 11am–7pm
Friday, May 15, 11am–7pm
Saturday, May 16, 11am–7pm
Sunday, May 17, 11am–5pm

Booth F14

Address:
The Starrett-Lehigh Building
601 W 26th Street, 3rd floor
New York, NY 10001
*Entrance is at 11th avenue (between 26th and 27th Street)

Featured Works

Artists profiles ▶

Ryoko Furukawa (b. 1994, Yumesaki, Hyogo) completed her M.F.A. at Hiroshima City University in 2022 and is now based in Chiba Prefecture. Her practice explores the relationship between images and language, particularly between paintings and their titles. Using found texts such as vocabulary books, manuals, and diaries, she cuts and reconstructs fragments of words to create whimsical, dreamlike titles that reshape familiar meanings. Inspired by Dadaist collage and the narrative experiments of William S. Burroughs, as well as the constrained writing methods of Oulipo, Furukawa challenges the hierarchy between image and title. Her paintings employ surreal, often humorous mismatches to explore uncertainty and reinterpret language. In recent years, she has expanded into installation, quilts, video, and artist books, exhibiting in Japan and internationally.

Yuka Nishihisamatsu (b. 1992, Kameoka, Kyoto) graduated from the Department of Ceramics at Kyoto City University of Arts in 2016 and completed her M.A. there in 2018. Raised in a family of painters, she developed an early sensitivity to observing nature, deeply influenced by the misty, mountainous landscape of her hometown. Working primarily in clay, Nishihisamatsu creates vividly colored, intricately
ornamented ceramics. Drawing on Japanese Buddhist culture, historical artifacts, and religious symbols, she reinterprets these motifs in a contemporary context. Her practice centers on the Buddhist cycle of life and death. While her earlier works referenced relics and sacred icons, recent series explore the concept of Umwelt, how living beings perceive the world, focusing on insects and microorganisms. Through clay, she gives tangible form to otherwise invisible lives, preserving their fleeting presence in lasting sculptural works.